Chris Evans amongst a few survivors on a train. |
Because of a failed experiment trying to combat global warming, a new ice age has occurred on Earth and caused every living organism to die. Now, the remaining humans have lived for years on the Snowpiercer, a train with a perpetual-motion engine. It is like a "Hunger Games" world inside the train where the lowest ranking people live in the tail end whereas the elite group of passengers live near the front.
Curtis (Chris Evans) leads a revolt against the front end of passengers due to the overcrowding and they are fed protein blocks and they use protein blocks as messages to coordinate the revolt. Edgar and Tanya (Jamie Bell and Octavia Spencer) also guides their way throughout the cars and as Edgar and Curtis break out of the "jail car", they discover people in drawers and a man named Namgoong Minsu (Song Kang-ho) as he and his daughter are in the drawers and they are addicted to the waste and Curtis and Edgar discover that the protein bars made out of bugs. Yuck!
And as Curtis kidnaps Minister Mason (Tilda Swinton), he asks her to take them to the front of the train and as they get further and further down the train, discoveries are being made about the outcome of this train and why children are taken away.
The lower inhabitants trying to get through a classroom train. |
Chris Evans is having probably the best year of his career so fear with the Captain America sequel and this little gem. This movie proves that he has the capability to blend into lighter and ominous surroundings. He is really good in this film. Tilda Swinton is fantastic, Jamie Bell, Octavia Spencer, John Hurt, Song Kang-Ho and even Ed Harris are at the top of his game. Harris has played so many villains in his career that I think it ranks as one of his best performances, but I think people will regard his role as an underrated performance.
This is a splendid 2-hour film that raises questions in its simplistic, but imaginative story. The dystopian bleakness is appropriate and necessary to maneuver us into the "Blade Runner-like" stage of life, but it is worse than the film directed by Ridley Scott. Directer Joon-ho Bong has created an intrepid, small world that is both resolute and triumphant to make us care about what will happen to the citizens in that train, once, it reaches the end. This is a confident, small film that is not worth missing. It is one of the best films of the year, so far.
****
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