Skip to main content

Blindspotting (2018), R, ★★★1/2


There have been many movies surrounding the obstacles of the fairness of law from the perspective of minorities, more with black characters than white. Here, it is a more of a perspective of how the law is presented with black vs. white. This concept of how laws are presented in society can provide two people's views of how the system works and can threaten their friendship. Friendship, in general, does not restrict race from the equation. Friendship is all about two or more personalities hit it off with charm, commonalities and also differences that could strengthen and lengthen their bond, providing great memories. The movie has a blend of comedy and social commentary that is stylistic and impactful that makes us re-think about why there is a divided country, especially right now.

Collin Hoskins (Daveed Diggs) is released from prison with a one-year probation. He must live in a halfway house, maintain a job and return every night at his curfew at 11pm. Collin is best friends with Miles (Rafael Casal) and also friends with Dez (Jon Chaffin). Miles and Dez carry guns which puts Collin on edge. Later that night, Collin is driving home as a young man, Randall Marshall (Travis Parker), runs in front of his truck. A cop named Officer Molina (Ethan Embry) runs after Collin and aims his gun at him but Randall tries to stop him and he gets gunned down.

Collin is left being haunted as he discusses Miles about the shooting incident from last night. They begin their job as movers and Collin gives a juice he purchased to his ex, Val (Janina Gavankar), who got Collin the job. Miles dislikes Val because she did not visit him in prison because he thinks that she seemed to forget about him since the incident that put him there. But, they go on a journey to find themselves after the shootout and also the potential threat of their friendship regarding race division.


What director Carlos López Estrada and screenwriters and also stars Diggs and Casal does quite well is skewering the cultural appropriation with some comedic chops that seem to be entertaining. Racial cluelessness is throughout the film because one character does not think that it is too big of an issue because it is a normal everyday existence for him whereas the other person wants to address the issues because he is a black person that is not a killer and his "blind spotting" foreshadows the passionate, climactic scene between Collin and the officer.

Diggs and Casal also are gifted, natural actors who delivers such comically, enriching performances that makes their chemistry alive. They seem to know what they are doing with their direction and dialogue. It seems to me that every writer/director wants to chase Get Out's creativity but seems to miss the mark. In my opinion, Sorry to Bother You did not quite work because it spewed off so many ideas towards the end. BlacKkKlansman was great addressing the issues. Here, they seem to find the level of creativity but go astray at times with bothersome rap that took me out of the movie. I could have done something differently and maybe have the climax become a bit more powerful. But, I like this movie a whole lot as a perspective of social commentary hindering on this buddy comedy that lingers on potential violence that could bring important conversation as to why the person committed to killing a person from a minority. This movie delivers a much more fresh and witty commentary of gentrification and race that is advantageous to bringing Diggs' and Casal's screenplay to the spotlight. It is a well-done film.

***1/2


Comments

Popular posts from this blog

2015 Documentaries

I have only seen 6 documentaries this year which also includes Amy and I Am Chris Farley . But, I have to be honest, this has not been a particularly strong year for documentaries except for onethat got me emotionally and mentally as what I examine for when they uncover the truth or some facts from the people involved in these documentaries. But, here are the four I have seen this year: Listen To Me Marlon, Unrated, 4 stars This is the most insightful documentary of the year as we only hear Marlon Brando narrating his life and experiences what he has gone through regarding his family, his private life and his film experiences regarding The Godfather , Apocalypse Now , Last Tango in Paris , etc. It is like Marlon Brando came out of his grave to give us another profoundly moving movie only we hear his voice and scenery and nothing else. The Look of Silence, R, 3.5 stars Joshua Oppenheimer's follow-up documentary is a light-hearted but still-disturbing film regarding a ...

Daddy's Home 2 (2017), PG-13, ★1/2

The first Daddy's Home was surprisingly a financial success as I thought it was not as bad as many people thought. I thought it was a solid cable watch because it had enough laughs for that sort of mixed recommendation. I was not craving for a sequel for this movie because again, comedy sequels have a very bad record, however, the only difference is that it is not too late since the first movie came out a few years ago. But, this sequel is a reminder as to why we do not need a sequel to a hit comedy because this is a pretty much forgettable comedy, especially a holiday comedy...which I hade a guilty pleasure for. This did not work for me. Brad and Dusty (Will Ferrell and Mark Wahlberg) have become friends after the events of the first film and they set up a co-dad system where their two children, Megan and Dylan, spending time at each father's home. Dusty has re-married to writer Karen (Victoria's Secret model Alessandra Ambrosio) and he is step-dad to Adrianna, Karen...

The Wolf of Wall Street (2013), R, 4 stars

The stockbrokers worshipping Jordan Belfort (Leonardo DiCaprio) like a god. Wall Street. The clients, the adrenaline, the stocks, the money, the power, and the decadence. The former three pertains to the man's job, but the latter three pertains what any stockbroker wants in order to have the freedom to do whatever they want with the client's money. As Mark Hanna (Matthew McConaughey) would say, "The name of the game is: move the money from your client's pocket into your pocket." We basically spend three hours seeing all of these Wall-Street scumbags steal the clients' money into their own pockets and spend it on booze, drugs, women, and other insane things in more insane activities. I have witnessed here is a great movie that I would not watch repetitively. The movie starts with Jordan Belfort (Leonardo DiCaprio) blowing cocaine onto a hooker's butt and he and his brokers throwing a little person onto a board with a dollar sign in the center. It'...