Skip to main content

Men, Women & Children (2014), R, ★

Rosemarie Dewitt and Adam Sandler in bed maybe checking someone's Facebook.
The Internet. It is almost one of the greatest inventions supporting also a few of the greatest inventions such as the computer and the IPod/IPhone/IPad. It's a source that can guide you to research information about certain things about subjects that you question or have a hard time figure out. I don't imply the latter by cheating to get something done. However, the Internet is sort of a con because it interferes the relationship between two people or more. When certain people who care are about you are worried, they will not give you the benefit of the doubt and will search what is going on. Sometimes, it will help and sometimes, they will invade your privacy. This movie is an intriguing premise on paper, but what is left on-screen is basically the premise, not a story.

Don Truby (Adam Sandler) is a father who tries to access pornography on his son's computer because his own computer will be infected with malware. He looks back at when he was his own son's age when he got access to his father's porn material. He worries that he will not fill the same place as his son. He masturbates to the pornographic material that is on his computer. He is bored with his life revolving around him.

At the local high school, Patricia Beltmeyer (Jennifer Garner) sees that her daughter, Brandy (Kaitlyn Dever), has vandalized an internet safety poster to a derogatory headline which Patricia knows what she is saying on the poster.

Hannah (Olivia Crocicchia) is a student and a cheerleader and brags to her schoolmates, including Allison (Elena Kampouris), about her sex life. Allison, Hannah and some girls text in a very bad attitude about each other, meaning they bad-mouth one another. Hannah's mom, Joan (Judy Greer), buys her an outfit and she posts photos of her in skimpy outfits on the "private gallery" on Hannah's website.

Don and his wife, Helen (Rosemary DeWitt) schedule to have sex while their son, Chris (Travis Trope) is looking at hard-core porn. At the mall, Hannah and Chris has some sort of the weird relationship where they are "sexting" each other about how they would go about to having sex. Chris is into sadomasochism as Hannah is just to doing it the right away and just wants to "ride him". This movie is basically what it is: It is back-and-forth communication about disturbing subjects mostly focusing on appearances, embarrassment, and sex.

I wonder what these children are going to do here.
This movie was overbearing with material that goes back and forth with their subjects and how they are maintaining their feelings for one another and how these consequences will overlap with these "subplots". The movie just makes certain remarks about their sex life, pregnancies, masturbation, how the guy did it, and penis jokes. If you take all that away and take it two notches down, the movie would have been an hour and 10-an hour and 20 minutes long. And, then, beyond that, we hear dialogue of small anecdotes and people deleting somebody's material off the computer. It drags and drags forever.

What is unforgiving is that these characters have no personality, but, therefore, it is supported by the only strong element: the acting. Adam Sandler takes a break from his comic chops to give a good performance, but it's just his character trying to get back in the game with his wife. Rosemary DeWitt also gives a sublime performance, but her character never develops at all. Jennifer Garner, JK Simmons, Ansel Elgort, and many others try what they can with this inept screenplay. It seems that the characters just do what they do to move the movie along. The movie is like good performances chopped into small scenes that arbitrarily is edited in such a complicated fashion that you could not care less on what happens to every character. Plus, it's overstuffed with many characters.

Jason Reitman, the acclaimed director of Juno and Up in the Air, has missed the boat twice with Labor Day and with this movie. Actually, he missed the harbor on this one. He plants an idea into a movie that is worth thinking about but is not supplanted by great stories that is not worth seeing on-screen. This movie needed some organization, character development, less characters, and dialing down on the aspect of digital communication. We get it! It really distracts us from our reality and also gets parents concerned.

This movie is overwrought with themes of depressing reality that it has to be made up by inserting melodrama into some of the characters that is ultimately unforgiving and you sit there rolling your eyes. The ending seems to end on a deleted scene that is particularly random. This is no doubt Jason Reitman's worst film and he needs to look back at his earlier material to see what made us engage in the story and its characters. It is funny that what prevented me from giving it zero stars is the performances, notably Adam Sandler's. This is a humiliating and a very disappointing film to sit through. Watch Disconnect, a much better film about this similar center of attention of digital communication.

*

Comments

Popular posts from this blog

2015 Documentaries

I have only seen 6 documentaries this year which also includes Amy and I Am Chris Farley . But, I have to be honest, this has not been a particularly strong year for documentaries except for onethat got me emotionally and mentally as what I examine for when they uncover the truth or some facts from the people involved in these documentaries. But, here are the four I have seen this year: Listen To Me Marlon, Unrated, 4 stars This is the most insightful documentary of the year as we only hear Marlon Brando narrating his life and experiences what he has gone through regarding his family, his private life and his film experiences regarding The Godfather , Apocalypse Now , Last Tango in Paris , etc. It is like Marlon Brando came out of his grave to give us another profoundly moving movie only we hear his voice and scenery and nothing else. The Look of Silence, R, 3.5 stars Joshua Oppenheimer's follow-up documentary is a light-hearted but still-disturbing film regarding a ...

Daddy's Home 2 (2017), PG-13, ★1/2

The first Daddy's Home was surprisingly a financial success as I thought it was not as bad as many people thought. I thought it was a solid cable watch because it had enough laughs for that sort of mixed recommendation. I was not craving for a sequel for this movie because again, comedy sequels have a very bad record, however, the only difference is that it is not too late since the first movie came out a few years ago. But, this sequel is a reminder as to why we do not need a sequel to a hit comedy because this is a pretty much forgettable comedy, especially a holiday comedy...which I hade a guilty pleasure for. This did not work for me. Brad and Dusty (Will Ferrell and Mark Wahlberg) have become friends after the events of the first film and they set up a co-dad system where their two children, Megan and Dylan, spending time at each father's home. Dusty has re-married to writer Karen (Victoria's Secret model Alessandra Ambrosio) and he is step-dad to Adrianna, Karen...

The Wolf of Wall Street (2013), R, 4 stars

The stockbrokers worshipping Jordan Belfort (Leonardo DiCaprio) like a god. Wall Street. The clients, the adrenaline, the stocks, the money, the power, and the decadence. The former three pertains to the man's job, but the latter three pertains what any stockbroker wants in order to have the freedom to do whatever they want with the client's money. As Mark Hanna (Matthew McConaughey) would say, "The name of the game is: move the money from your client's pocket into your pocket." We basically spend three hours seeing all of these Wall-Street scumbags steal the clients' money into their own pockets and spend it on booze, drugs, women, and other insane things in more insane activities. I have witnessed here is a great movie that I would not watch repetitively. The movie starts with Jordan Belfort (Leonardo DiCaprio) blowing cocaine onto a hooker's butt and he and his brokers throwing a little person onto a board with a dollar sign in the center. It'...