Miles Teller as the talented drummer. |
Andrew Neyman (Miles Teller) is a 19-year-old jazz drummer who is ambitious to become the best like "Buddy Rich" and in the beginning of the film, he is accepted to Shaffer Conservatory, the best music school in the U.S. He celebrates and he begins dating Nicole (Melissa Benoist), a college student who works at a cinema. An infamous Shaffer conductor, Terrence Fletcher (J.K. Simmons), is looking for a drum alternate and after a successful audition, Andrew is in the bad. Fletcher tells Andrew to relax and have fun while in the class.
While he seemed courteous towards Andrew, Fletcher is a master at tempting students to become the best by manipulating their emotions by taunting and abusing them. An example is Andrew being the target of the abuse by not following the tempo and because of it, he throws a chair at him and slaps him in the face tempting him to cry when all the other students silently watch. Determined to win Fletcher's trust, Andrew practices vigorously and he is promoted to become a main drummer after Fletcher witnesses him playing "Whiplash" by heart. But, tiny mistakes demote Andrew to alternate since he forgot the sheet music. It may either be hell or could be rewarding in the end.
J.K. Simmons yelling at him, making the student cry. |
Miles Teller gives another brilliant performance in his young career as a determined jazz musician to become the best, but it could have been a clichéd performance with him just bragging. In a scene, because he wants to best, Andrew tells his girlfriend that they need to break up. Wow! He also had the courage to cry in front of his classmates and most of the scenes, it was his hands on screen with blisters and blood. J.K. Simmons is another actor I have admired since watching him in Spider-Man but he gave another wonderful performance in Juno as the main character's father. But, I have never seen vigor and intensity from such a performance since R. Lee Ermey in Full Metal Jacket. He is like a demanding and no-nonsense sergeant in the classroom. He wants the best. There may be best supporting actor consideration in this performance. He was so great in this film that at times, I would want to just hit him once.
Damien Chazelle, the director, creates an atmosphere so moody and exhilarating simultaneously that it would be comforting and alarming to remain in that classroom. It is like a deep, dark pit and also, I want to praise the editor, Tom Cross, for supplying some of the beautifully edited stretches in the film and it dramatically intense. It is Chazelle's magnum opus. It defines the joy of filmmaking music at the best and worst intentions.
****
Comments
Post a Comment