Skip to main content

Den of Thieves (2018), R, ★★★


When going into a heist thriller, I try to temper my expectations down a notch because this is one of my favorite genres. I think the ultimate masterpiece that might get a GREAT SELECTION essay in the future is the 1995 Michael Mann movie, Heat, with legendary actors Robert De Niro and Al Pacino facing off. It was a tense stand-off between criminals and cops especially in a masterful heist sequence that I think gets overlooked. But, I digress. I think director Christian Gudegast has seen this movie a little too many times to get another cinematic similar heist film with similar tools. However, I cannot lie. It was an entertaining time watching this B-level heist thriller.

The movies sets in Los Angeles as a team of robbers led by Merrimen (Pablo Schreiber) attacks the guards and break into the armored truck. However, one of the robbers, Donnie (O'Shea Jackson Jr.), kills the first guard and the police arrives engaging them in a shootout. Unfortunately, the robbers escape with the truck. In the morning, Detective Nick "Big Nick" O'Brien (Gerard Butler) goes to investigate the crime scene as he has been pursuing them for a while and Merrimen has been holding a grudge against Nick because he killed one of his friends.

Nick brings Donnie to a house where a gang of officers is interrogating him. Donnie is an impressive getaway driver according to Merrimen. However, we learn, in a flashback, they are intending to rob the Federal Reserve of $30 million in unmarked bills. Donnie again gets reprimanded by Merrimen and his right-hand man, Levi (Curtis "50 Cent" Jackson) to make sure he has not told Nick about their plans. Donnie assures that he has not told them. However, the heist is still on.


This is basically a blueprint of the movie, Heat. However, the movie is done with craft even though it falls short of character development and narrative structure. The movie lacks gravitas between Butler and Schreiber because there is no tension between cop and criminal. However, the one standout is O'Shea Jackson Jr. as he gives the strongest performance of the bunch as he is now on a roll with meaty roles from Straight Outta Compton and the underrated Ingrid Goes West. He is very good. But, in terms of craft in action sequences and heist planning, the movie works and it is enough to recommend. I was solely impressed by the choreography as the movie is loud, exciting and violent and you cannot turn your eyes away from the main plot.

I will say that the main problem is a family subplot between Nick and his wife that felt unnecessary and irrelevant to the tone of the movie that felt like a Lifetime movie. It is basically formulaic fluff to add depth to Butler's character. The movie could have shaved off about 10-15 minutes off from its family subplot to solely focus on the story at hand. Look, there are things wrong with this movie and for what it is in terms of second-tier heist thrillers, this is a decent January movie that is better than you can expect even with a good twist ending.

***


Comments

Popular posts from this blog

2015 Documentaries

I have only seen 6 documentaries this year which also includes Amy and I Am Chris Farley . But, I have to be honest, this has not been a particularly strong year for documentaries except for onethat got me emotionally and mentally as what I examine for when they uncover the truth or some facts from the people involved in these documentaries. But, here are the four I have seen this year: Listen To Me Marlon, Unrated, 4 stars This is the most insightful documentary of the year as we only hear Marlon Brando narrating his life and experiences what he has gone through regarding his family, his private life and his film experiences regarding The Godfather , Apocalypse Now , Last Tango in Paris , etc. It is like Marlon Brando came out of his grave to give us another profoundly moving movie only we hear his voice and scenery and nothing else. The Look of Silence, R, 3.5 stars Joshua Oppenheimer's follow-up documentary is a light-hearted but still-disturbing film regarding a ...

Daddy's Home 2 (2017), PG-13, ★1/2

The first Daddy's Home was surprisingly a financial success as I thought it was not as bad as many people thought. I thought it was a solid cable watch because it had enough laughs for that sort of mixed recommendation. I was not craving for a sequel for this movie because again, comedy sequels have a very bad record, however, the only difference is that it is not too late since the first movie came out a few years ago. But, this sequel is a reminder as to why we do not need a sequel to a hit comedy because this is a pretty much forgettable comedy, especially a holiday comedy...which I hade a guilty pleasure for. This did not work for me. Brad and Dusty (Will Ferrell and Mark Wahlberg) have become friends after the events of the first film and they set up a co-dad system where their two children, Megan and Dylan, spending time at each father's home. Dusty has re-married to writer Karen (Victoria's Secret model Alessandra Ambrosio) and he is step-dad to Adrianna, Karen...

The Wolf of Wall Street (2013), R, 4 stars

The stockbrokers worshipping Jordan Belfort (Leonardo DiCaprio) like a god. Wall Street. The clients, the adrenaline, the stocks, the money, the power, and the decadence. The former three pertains to the man's job, but the latter three pertains what any stockbroker wants in order to have the freedom to do whatever they want with the client's money. As Mark Hanna (Matthew McConaughey) would say, "The name of the game is: move the money from your client's pocket into your pocket." We basically spend three hours seeing all of these Wall-Street scumbags steal the clients' money into their own pockets and spend it on booze, drugs, women, and other insane things in more insane activities. I have witnessed here is a great movie that I would not watch repetitively. The movie starts with Jordan Belfort (Leonardo DiCaprio) blowing cocaine onto a hooker's butt and he and his brokers throwing a little person onto a board with a dollar sign in the center. It'...