Dakota Johnson and Rebel Wilson. |
Alice (Dakota Johnson) is a New York paralegal who had recently dumped his boyfriend, Josh (Nicolas Braun). She has moved in with her sister, Meg (Leslie Mann), an OB/GYN, who is a single mother who wants to conceive a child via sperm donor. Alice befriends a co-worker named Robin (Rebel Wilson), who loves to party and have one night stands. Robin introduces Alice to the way of how trying to get a man works and also to Tom (Anders Holm), a bartender who is single who has a crush on Lucy (Alison Brie).
Back at Tom's bar, Lucy has a string of consecutive bad dates because of her algorithm of dating men from dating websites. As Meg is getting pregnant with her child, Alice continues to yearn deeply for Josh. She attends a Wesleyan alumni networking event, which she briefly converses with a man named David (Damon Wayans, Jr.) She briefly has a relationship with him as he has is singing to his daughter. He reminds her that she is not her mother and they both break up. What will it take for Alice to maintain and sustain a relationship?
Sisterly love. |
Dakota Johnson is a bit stale individually but when she has that rapport with Rebel Wilson, she clicks with her and their chemistry works. I think Wilson, even though she got annoying with her jokes at times, is the standout because she provides some hilarious background into the story especially with Johnson. Leslie Mann is fine but her story line is not necessary as the child insemination is more for another Judd Apatow movie. Alison Brie is attractive but her story is irrelevant to the movie and only to serve the title as an instruction booklet. I liked Damon Wayans Jr. as a gentle fatherly role and Nicholas Braun is not bad.
I cannot recommend this movie because the material lacks clarity in its screenplay and it needed to be more organized as to which characters are necessary to the main plot. Plus, even though the ending has a nice message, the movie is edited as some sort of random joke-fest and needed to be in a consistent tone. The movie has a nice outline of what it tries to be to serve the romantic comedy genre from a feminist standpoint, but the product lends itself to formulaic conventions that ultimately delivers as a mixed bag.
**1/2
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