Kevin Costner and Jillian Estell. |
Elliot Anderson (Kevin Costner) is widowed after his wife has been killed in a car crash. He is home alone and tries to drink himself to sleep. In the morning, his granddaughter, Eloise (Jillian Estell), who is African-American, knocks on the door and asks where her grandmother is. Elliott succinctly replies to get ready for school. When Eloise is at school, guests are preparing for the funeral. Rick (Bill Burr) and his girlfriend, Fay (Gillian Jacobs) go with Elliot to pick up Eloise and he sits her down as he tells her the truth.
Rowena (Octavia Spencer) who is Eloise's other grandmother goes to Elliot's wife's funeral and immediately starts talking about her big family, implying that Eloise should leave him to live with them. Rowena threatens Elliot to sue for custody as she says that they are both black and angers Elliot as he says that Eloise is "half-black" and lives in a safe neighborhood in L.A. Rowena's brother, Jeremiah (Anthony Mackie), is a lawyer who tries to help Rowena and tries to convince her to say that Elliot does not like black people. But, her attitudes get in the way as the judge does not care for it. Reggie (Andre Holland), her father, comes back to Eloise's life as he says that he is clean and wants to be a better parent. It is not as much as the battle of race, but a battle of wit to care for someone.
Both Costner and Spencer discussing the case at a reunion. |
Kevin Costner gives a very good and assured performance, which I think it is one of his best roles to date, because the challenge is that he plays a white character who lost his wife, has to deal with the custody of raising a black child, dealing with Rowena's family and overcoming alcoholism and traces of racism. We become sympathetic with a very difficult character. Octavia Spencer also has the same type of role by raising issues that someone should live with her because of skin color and has to defend that while dealing with Reggie. Anthony Mackie is effective as the lawyer. Jillian Estell has pep in her role but she is used, unfortunately, as a tool to drive the plot along and as a tool for the case.
Director Mike Binder has something really going well for the film, displaying the issues on-screen making the plot seem real and relevant to today's society. However, while I admire this film a whole lot, the movie's last half-hour goes into very weak territory as it goes predictable territories and preachy dialogue with sentimental music in the background that makes it so cheesy and we could not help but making a facepalm near the end. It is a well-done family drama that has a paramount importance but it is ruined by a traditional happy ending that seemed so manipulative that we almost forgot we were watching a Hollywood movie in the end.
**1/2
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